Paulo Coelho turns his book into a feature film with MySpace users’ videos

This should be interesting. Author Paulo Coelho is going to collaborate with MySpace to make his latest book into his first feature film. The MySpace collaboration will center around creating a mashup of videos and songs created and submitted by MySpace users.  Coelho will choose the winning videos and songs to use in his film.

But here’s the rub: Coelho is going to own the film.  What do the MySpace filmmakers and musicians get?

Winners will enjoy significant publicity, and their work will be featured across MySpace worldwide including the homepage, MySpaceTV and an extensive banner campaign.

Well, exposure is always a good thing, right?  Not as sweet as a percentage of the gross, or residuals, but you have to start somewhere.

Oh, and the fine print says that if there aren’t enough videos and songs submitted that meet the required standards, the whole project will be scrapped.

It’ll be interesting to see what comes of this. [Via Publishers Weekly]

 

Know your audience: demographics on bloggers

BIGresearch.com has released a survey on the demography of bloggers. Since reaching out to bloggers should be an integral part of the publicity and marketing campaign for a film, knowing a bit about who blogs can help.

Highlights of new media use by bloggers:

Regular/Occasional New Media Usage (Top 5)
	% of Regular/Occasional Bloggers	% of Adults 18+
Cell Phone	93.0%	87.5%
Instant Messaging	75.3%	49.3%
Download/Access Video/TV Content	72.2%	45.0%
Video Gaming	66.9%	47.5%
Text Messaging	65.5%	45.2%
Source: BIGresearch, January 2008, N=15,727

I found it interesting that the survey indicates the most common trigger for a blogger’s internet searches is  reading an article (48.8%). I wonder whether those articles read were located in a print publication, or online? [Via mediapost.com]

How NOT to publicize your film on YouTube

Running a successful viral video campaign for a film can be tricky and complicated.  It requires a lot of upfront planning and the implementation of the campaign requires careful management.  Screw up, and lots of things could go wrong: no one will watch it, or maybe, if you’re really unlucky, tons of people will watch it but not understand it, resulting in your film being yanked from the festival in which it was supposed to debut, people you don’t know will send you threatening e-mails, and you’ll have the local police and the FBI on your tail.

The latter is exactly what happened to Outsiders Productions, an Oklahoma-based indie film studio, when they tried to use the “Cloverfield” approach by loading a mysterious and ominous-looking video clip onto YouTube for their latest film A Beautiful Day. The teaser freaked people out in Oklahoma, who thought it might be some kind of cryptic terrorist threat. Things quickly spiraled out of control from there.

The main problem with the video? It made no mention of the movie! The filmmakers have now been spending time explaining themselves and apologizing.  They’re also trying to find some way of turning this fiasco into something positive with their “It’s Just a Trailer” campaign.  It’ll be interesting to see how that works out.

This is a cautionary tale that teaches an important lesson in viral video publicity campaigns. Yes, the results were that the film got some publicity, but I’d bet not quite the kind of publicity the filmmakers were hoping for.

March 31 deadline for From Here To Awesome film submissions

Filmmakers, you’ve got until next Tuesday to submit your film to

 From Here To Awesome - a discovery and distribution film festival.

 If you’ve been struggling to find and build an audience for your film, if you’ve been unsure or unsuccessful with distribution alternatives, if you’re seeking new methods for building buzz about your film, then this festival is for you.  There’s no entry fee!

Budgeting for marketing and publicity

“How much is it going to cost?” I hear that question often from filmmakers.  The simple answer is “probably more than you thought you’d need to spend.”

That costs vary widely is an understatement.   At one end of the spectrum are the millions per film spent by the major studios, while at the other end, some DIY filmmakers are doing it for themselves, while others turn their friends and fans into flacks.

The March/April issue of FilmArts Magazine contains an informative article, penned by colleague Lyla Foggia, that explains why it’s important to build marketing and publicity into a film’s production budget, and includes some rough estimates for various costs (as well as a quote from me).

I’ve written before about how important it is to think about publicity and marketing at the very beginning of the filmmaking process. And not only to think about it, and plan for it, but to incorporate it into every phase. You’ll find this article useful, I think, as you plan your production budget for your next film.

The FilmArts Foundation is an invaluable source of information, education, low-cost equipment access, fiscal sponsorship, exhibition opportunities and numerous other methods of support for the independent filmmaker community. Check them out if you’re not familiar with them. They are a non-profit organization, and can really use some support with their fundraising campaign.  

Article shared with permission from FilmArts Magazine, thanks to Laurie Koh, Managing Editor.