Film and TV industry is hiring in the Washington, DC area

February 7, 2009

(Disclosure:  I’m a member of Women in Film and Videowifv1WIFV is a chapter of Women in Film & Television International (WIFTI), a network of nearly 40 chapters around the world.  Our members are new to the industry and media moguls.  Men are eligible for membership.)

While Hollywood and New York lead the way in production of narrative features, our nation’s capitol is also the capital of production in the US for non-fiction media.  Two upcoming events can help you break into the Washington, DC film and TV scene:

On February 9,  get your resume reviewed by leading industry experts at the  WIFV resume swap

Then on March 7,  take your new and improved resume to the WIFV Media  Job Fair.  More details are forthcoming. In the meantime, you can register and do some homework on the exhibiting companies.


Coelho puts MySpace on hold for Festival gamble

January 11, 2009

After first signaling that he was ushering in a new era of filmmaking and distribution, Paul Coelho is apparently re-thinking the distribution plans  for  Experimental Witch.

When I first heard about it, I looked forward to following  Coelho’s crowd-source filmmaking experiment for Experimental Witch, when he announced his plans to solicit MySpace friends to help make the film, and then distribute the film in partnership with MySpace. The plan sounded innovative and fresh, and his announcement of the winners of the MySpace competition signaled this might really work. I had visions of a new model for filmmaking and film distribution.  Very exciting stuff!

Turns out, the monumental shift I was anticipating may be a while coming. Coelho appears to be sliding back towards the classic ‘festival first’ mentality. It seems a “major European Festival” is considering accepting the film as long as it’s not shown anywhere else first, including on the internet. Coelho, hoping to grab critical attention, as well as a possible theatrical distribution deal, by showing the film at major festivals, announced he’s delaying the MySpace premiere while he woos the festival circuit.

This is turning into to a textbook case of old-world film distribution clashing  against, rather than embracing, new-world approaches to reaching audiences:

Old-world: Exclusivity.  Filmmakers allow their films to be trapped by a festival vs. New-world:  Open and accessible.  Filmmakers insist on distribution freedom.

I wonder if the day will ever come when festivals drop this archaic requirement of  our-festival-first exclusivity, and realize that festival audiences are not necessarily the same as global audiences, and that one doesn’t negate the importance of the other. 

I can only imagine the MySpace filmmakers that contributed to Experimental Witch, not to mention Coelho’s fans, are disappointed in the delay.  It’ll be interesting to see what happens next.


Film distribution: old world vs. new world

October 2, 2008

I’m back from taking some time off from work and blogging and facebooking and twittering and MySpacing and virtually everything else.  It felt good to unplug and get away for a while, and enjoy the beauty and quiet of nature during the unfolding of Autumn in New England. 

Now it feels good to dive back in.

If by chance you haven’t yet read this wonderful 2-part article from IndieWire that discusses film distribution in the old world vs. the new world, I urge you to take the time to do so: part 1 and part 2.


Winners selected for Coelho’s “Witch of Portobello” MySpace film experiment

September 5, 2008

When I first heard about Paulo Coelho’s MySpace collaboration for turning his latest book into a film, I knew this was the kind of experiment in filmmaking by crowd sourcing that would be interesting to follow. 

Over 6,000 people subscribed to Coelho’s proposition.  I don’t know if that means he received 6,000 video entries, or if it also represents other forms of participation from MySpace users.  In any case, he recently announced the provisional selection of the winning videos that will be part of the film.  As expected, the provisional winners will have to comply with some fine print and complete required legal transactions. 

Coelho mentioned the film now runs at 380 minutes, much too long for commercial distribution. He does want, however, to show the full cut on the Internet, before submitting an edited version to film festivals.

In the meantime, you can watch the provisional winning videos.


Questions from the chat widget: Recommendations for producer’s reps?

August 21, 2008

An indie filmmaker named Susan IM’d me yesterday on my meebo chat widget, saying she was looking for a producer’s rep, but was hesitant to blindly respond to listings on the Web, and asked if I had any recommendations.  Unfortunately, she signed off from chat before I could finish composing my response.  

My answer is that I totally understand the hesitance to blindly pick a producer’s rep.  The relationship between filmmaker and producer’s rep is very critical. Even though it’s a professional relationship, personal preferences do come into play.  it’s very important that the parties share a vision about the filmmaker’s project, that they work well together. It’s a very indidualized relationship, and for that reason, I don’t offer recommendations.  Instead, I encourage filmmakers who are searching for producer’s reps to reach out to their colleagues, other directors and producers, and ask for their feedback on who they’ve been happy with in representing them.

There are lots of places on the web where filmmakers congregate to network, exchange ideas, and generally support each other and the craft.  One of my favorites, FILMCOMMUNITY.COM, is a good place to seek opinions from filmmakers on options and recommendations for producer’s reps.


City Council to filmmaker: “Don’t film here, we don’t want bad publicity.”

August 19, 2008

Fergus Falls, Minnesota — apparently it’s hard out here for a filmmaker to make a movie, even when he offers to pay the city $10,000.  Dav Kaufman wanted to shoot some scenes for his psycho-thriller at a former treatment center that is scheduled to be redeveloped into a college.  The  campus developers didn’t like the idea, saying the film would bring negative publicity and give the school a bad reputation.   They convinced the city fathers to reject the filmmaker’s offer.

A pity.  Not to mention a bit shortsighted on the part of the developers and city council.  How cool would it be to be able to say, when marketing the new college to potential students, that a psycho-thriller was filmed there?  It could have been a great opportunity for potential partnerships to market the school and the movie, and perhaps even put Fergus Falls on the map.  Not to mention adding a few quid to the city coffers.


indieWIRE sold to SnagFilms

July 17, 2008

Eugene Hernandez has  penned a letter to readers of indieWire about the sale to Ted Leonsis‘s  new company,  SnagFilmsRead the rest of this entry »